'eternal sunshine' is here at last: Ariana Grande album review

One of our writer's looks at Ariana Grande's new album...

Dan Finch
25th March 2024
ImageCredit: IMDb
“How can I tell if I’m in the right relationship?”, questions Ariana Grande atop her latest record, eternal sunshine.  Released on 8 March, the album takes its name from the 2004 science-fiction romantic film, Eternal Sunshine of the Spotless Mind, in which two protagonists undergo a procedure to wipe all recollections of each other from their minds, following a tumultuous break-up. This manipulation of memory is certainly navigated throughout Grande’s tracklist. Yet, as for the refined melodies she presents, they stay reasonably impossible to forget. 

Since teasing the seventh release via social media last December, the songstress has been regularly sharing the process behind its composition with fans. The news that producers, Max Martin and Ilya, were to be its chief collaborators only confirmed the project was in safe, pop-royal hands. And being no stranger to a snappy catchphrase apt for an Instagram caption, Grande dropped yes, and? in January: a disco-infused statement anthem insisting to silence critics. 

Although somewhat discordant amongst softer neighbouring tracks, the decision to appoint this as the lead single makes sense altogether. The past year has probably seen the greatest volume of criticism come at Grande’s way, whether it be in the form of relationship scrutiny or comments on her body. Entering a new musical era by snatching back the narrative was essentially the only way. In fact, the entire record’s arrangement is meticulous in threading the prevailing themes of separation and acceptance.

Whilst at times uncertain about her love life, Grande has never been so sure of her sound. Elements of all her preceding albums are seamlessly blended together, with the breathy supernatural echoing the pop mastery heard on Sweetener, while i wish i hated you delivers raw authenticity akin to thank u, next. Bouncy second track, bye, emerges as a standout as the singer bids her partner farewell with nothing but good wishes. “Boy, just turn the music up,” she pleads, “maybe, someday we'll look back with love”.

Conversely, new genres are too explored by Grande. For instance, imperfect for you is sung softly over a distinct alt-rock strum. Whilst her previous powerhouse vocals take a backseat, Grande’s lyricism shines this time around. Take the achingly honest new single, we can’t be friends, as a prime example of her vulnerability as a songwriter: “I don’t like how you paint me, yet I’m still here hanging”. 

The album steers clear of collaborations, with the exception of comforting finale, ordinary things, featuring her Nonna’s sage relationship advice. Reminding Grande to “never go to bed without kissin’ goodnight”, she brings closure to our opening question. Ariana finds her answer.

AUTHOR: Dan Finch
journalism and media student!

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