‘Bird’ is a story that focuses on a short segment of protagonist Bailey’s life, exploring her forced independence and the reality of her everyday existence. Set in a small town in northern Kent, it is quickly revealed that this social-realist film will highlight the authenticity of the British working class. This is shown through characters with a variety of colourful accents and a clear contrast in scenes containing how the general, middle-class live in comparison to Bailey and her friends. The inclusion of a natural setting and lighting helps to add to the emphasis of poverty. Not only do we see Bailey through the lens of a handheld camera, but we also get to see her perspective as she films the characters and settings around her. This is first seen as Bailey films birds flying past her finding a way to entertain herself, becoming mesmerized with the freedom they possess.
She is soon disrupted as we are introduced to Bug, played by growing star, Barry Keoghan. It isn’t until further on in the film that it is revealed that Bug is in fact Bailey’s dad, emphasizing the type of world they live in with Bug’s character being seen as careless, violent and immature. Although there is an overwhelming sense that we are meant to feel as though we should side with Bailey- it’s hard to ignore the likeability which Bug has, which coincides with his love for music. A large amount of the film's score is introduced with Bug, firstly with aggressive rock music noticeably by Fontaines D.C. which then transforms into UK rap when he is surrounded by his friends.
prepare yourself to become obsessed with ‘Bird’ and the visceral feelings you will experience
However, a different type of music can be heard when Bailey is alone and focusing on nature, which is a reoccurring theme included to add a sense of relief and escape for both her and the audience. During these tranquil scenes is when we first meet Bird, who develops Bailey’s character and the narrative along with it. He is mysterious but intriguing, allowing a feeling of apprehension whenever he appears. Similarly to Bailey, Bird is longing for someone to want him, which is how the pairing blossoms, attempting to help one another out. It thankfully adds a feeling of escapism for the audience as seeing Bailey happy distracts us from her oppressive reality, until further into the film when odd things begin to happen, making you consider whether the genre is about to transition to fantasy.
After leaving the cinema, I am still questioning the true purpose of this factor and why director, Andrea Arnold, chose to present it in this way. Her metaphorical portrayal of Bird and nature in the film will leave you questioning her intentions too. But after reconsidering the ending transformative scenes, it is easy to realise her creative genius and how it ties the whole film together, leaving you with a feeling of fulfilment and satisfaction.
This film was screening at Tyneside Cinema, head over to check out more like it!
