The good news is that Older is far from boring. The first surprise of many comes in the deft drum fill that opens All Falls Down, a charming, woodwind-filled pop track with a pivot towards rock in the final third that mimics last album’s firearm, except this time the switch is executed with much more skilful nuance. Then there’s the cinematic finish to I Guess, which recalls the Gen Z melodrama epitomised by Phoebe Bridgers’ classic Scott Street, although McAlpine’s plodding groove doesn’t get the waterworks flowing quite like Bridgers does.
Surprise showpiece moments aside, Older also works as a thoughtful meditation on a relationship where the love has simply run out. “What if it was all my fault?” McAlpine ponders with a stunning melodic flourish in Drunk, Running, an exquisitely pained ballad that flowers into extended orchestral outro. There’s more of that complicated feeling of guilt to be traced in You Forced Me To, a daring and vaguely creepy waltz in which McAlpine gives way haunting muffled piano solo. The biggest emotional sucker punch is reserved for March, which sees her powerfully reflect on her father’s passing (“So far away, and then it hits you / Like it was yesterday”).
Creepy waltz in which McAlpine gives way haunting muffled piano solo
In the end, it’s the singles that turn out to be Older’s weakest moments. Any listeners not put off by those teasers or not distracted by Ms. Swift will find a mature, impactful record packed with welcome surprises.