Despite its slow beginnings and quiet nature, Conclave grips the audience through masterful layers of intrigue and masterful characterisation. Ralph Fiennes carries the film through his portrayal of Dean Lawrence, who acts as detective to unveil the monstrous actions of the nominees for pope.
The film boasts excellent discussions of liberalism in the church and the hand-in-hand nature of religion and conservatism- with the despicable Cardinal Tedesco fighting the valiant Cardinal Bellini for votes. The film finishes with a hopeful and unexpected twist that leaves the audience feeling satisfied - despite spending the film rooting for two different nominees. An excellent point is made about sexism within the Vatican through the character of Sister Agnes, who is constantly upset by her silent role, and steps out of it in order to confront corruption.
Despite being a thriller in title, there are incredibly poignant moments of humour, exemplified through the use of modern technology such as phones and vapes - really reminding us of the modernity of the film’s issues. Suspense is built in such a perfect way that the pacing feels adequate, the characters feel developed and the audience is entranced by something that in reality appears quite drab- incredible work from the cast and from Edward Berger collaborate to create a brilliant piece of fiction!
