From its innocuous title, it seemed listeners would again be enveloped in Lana Del Rey’s traditional nostalgic Americana. However, what lies behind this unannounced Valentines release is perhaps one of Del Rey’s most introspective arrangements.
Part 1: 'American whore', takes on a haunting folk sound. It reflects Del Rey’s escape from California, from the American Dream she has written so despairingly of for over a decade. 'American Whore' tells a gut-wrenching story about the loss of her innocence, her troubled relationship with her mother, and her pessimistic views on love. She attacks her critics, society and herself.
'American Whore' tells a gut-wrenching story about the loss of her innocence, her troubled relationship with her mother, and her pessimistic views on love
It is curious then, that such an emotive opening would be met with a complete sonic breakdown. Abandoning the original melody, a bass kicks in and we are met with a 2-minute trap-inspired instrumental.
Part 2: 'Jimmy', is highly reminiscent of the early years of Del Rey’s career; Singing about troubled boyfriends and losing her mind on top of a backing track of heavy bass. Yet it is laced with contemporary ideas, sampling the violins from her 2019 track 'Norman Fucking Rockwell'. Upon first listening, the sudden shift in tempo may catch listeners off guard, but the altered rhythm proves to be a refreshing and addictive change that urges you to relisten.
While 'A&W' may not cater to everyone's taste, it signifies a new dawn in Del Rey's musical journey. Departing from her signature ballads, the song showcases raw and anguished vocals, intimately personal lyrics, and innovative composition. An exciting preview for whats to come.
Lana Del Rey’s new album Did you know that there's a tunnel under Ocean Blvd is set to release on March 24th.