Music in visual media – the art of the credit drop

There a plenty of tricky creative decisions that underpin the perfect soundtrack for the end credits.

Oliver Parrish
2nd April 2025
Image source: Wikimedia Commons
Choosing the music that leads into the credits is a precise art; think a perfectly crafted Instagram song note. The process of perfection comes in three stages: timing, lyrical content, and vibes. Catch all three, and you’ve got a perfect credit drop.

Timing a credit drop places a lot of emphasis on the ‘drop’ part of the equation. Often, the best way to amp up emotion or tension is simply to drop into the chorus. This was mastered famously by Michael Bay, who ended the first 'Transformers' film by dropping into ‘What I’ve Done’ by Linkin Park. He gets a lot of stick, but this, this is the template for a credit drop.

Vibes and lyrical content are next up. Vibes are the most important here – but if you tie in a thematic link from the show into the lyrics, that’s the cherry on top. Two shows which do this excellently are kitchen-based comedy-drama ‘The Bear’, and survival thriller ‘Yellowjackets’. I’ll try to avoid spoilers for both here.

'Yellowjackets' ends its season two pilot with ‘Cornflake Girl’ by Tori Amos. The song choice here is particularly perfect, as the pre-chorus lingers dramatically on the line “This, this is not really happening”, before dropping into the chorus’ repeated refrain “You bet your life it is” with a rush of instrumentation. The drop works excellently here. The vibe matches the drama and tension, and the lyrics finish the job, a parallel to the moral line that has just been crossed in the show.

In the season one finale of The Bear, Radiohead’s ‘Let Down’ begins to play in its entirety over the final 4 minutes. As the season draws to a close, the guitar instrumental provides the perfect build, swelling into one of the most emotional choruses in music as the credits drop with gusto. The emotional intensity of the chorus mirrors that of the final act – as does the lyrical content. The main chorus crescendos in with the line “You know, you know where you are with” – a brief window of optimism within a very morose song, a perfect reflection of the narrative arc of season one of 'The Bear'.

The art of the credit drop is in its ability to elevate the drama and emotion depicted on screen via the emotion inherent in music. I hope visual media can make use of this more – as soon as I hear the end refrain of Radiohead’s ‘All I Need’ used as a credit drop, I can die happy.

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