Written and directed by Aycha Ates Di Adamo, this dramatic comedy explores the complexities of family life, relationships, and the secrets hidden amongst each member of the Lovelett family. Ates Di Adamo’s writing is beautifully thoughtful and funny; its use of fourth wall breaks and expertly curated characters to keep the familiar and cosy tale alive with interest, drama, humour, and surprises.
Ates Di Adamo’s direction was excellently taken by a cast filled with NUTS veterans. Grace Adam led the way playing Maya, alongside Max Dixon-Spain who played Mikey, and Eireen Mackey who played Jess. They had the task of playing the more subtle parts, being closest in age to their characters and therefore closest in likeness to their audience. Their ability to play people with a realism and sincerity shone through. Adam and Dixon-Spain performed especially well, the two actors having to stretch their range from quick one-liners to tear-jerking monologues.
Personality in bucketfuls...
Their style contrasted the characters played by Breanne Moody and Isaac Stamper, the mum and dad of the family. They provided personality in bucketfuls and filled the room with laughter. Connecting with their characters was easy thanks to their performances, and seeing the end of their arcs genuinely put a lump in my throat. I can’t give these two enough praise - I thought they were brilliant!
The rest of the ensemble, Millie Hermann, Ben Stoddart, Emmie Biddlecombe, Olivia Barnes, Aryan Jha and Grace Scott, were the cherry on top of an absolutely brilliant night. Their characters, despite not having as much stage time as the aforementioned, were established quickly. Seeing them arrive on stage was knowing you were about to laugh or cringe in solidarity.
Produced by Lottie Hume and with tech by Harriet Wilson-Pinchin, ‘Pieces of Us’ showed off big sets, starry nights and detailed set dressing. I found the production did exactly what it should do - it let us forget about it. With the story being so relatable and resonating with such a wide audience, it was so important that the production was able to draw us into the scene without making it feel artificial. Scenes felt natural and the tone was always immediately understood. From the cosy living room to the frosty garden bench, the set, lights, sound, props and costumes were always spot-on.
A big well done to everyone involved, ‘Pieces of Us’ was wonderful!
