A Militant Rant on Niche Aesthetics

Why do we attach ourselves to niche aesthetics?

Libby Griffiths
8th November 2022
Image: Instagram @parisianswans
I feel like I can’t get a coffee or study in the library without it being transformed into an entirely new aesthetic. Everything I do feels like a performance, an act of commodity as a consumer. I am a product of society, and I’ve lost all sense of individualism and identity. 

TikTok has revolutionised how our identities are marketed and moulded into ‘aesthetics’. Recently micro-labelling has surfaced as a way to commodify the human experience and categorise personality models. I saw a tweet addressing a more recent example, in ideas of the ‘warm girl’ and ‘cool girl’ - essentially images from Pinterest in warmer or cooler hues. Every minute detail of how and what we consume is taken and transformed into ways to label us for consumption and tailor us to how we want society to perceive us. Most of the time, this behaviour is self-inflicted too. 

I am a product of society, and I’ve lost all sense of individualism and identity

A while ago, I read a Substack article on the cultural issues of the commodification of consumerism to complex female characters and how we replicate these traits to appear “through the eyes of a consumer.” Many of the ideas brought up relate to Laura Mulvey’s genius feminist theory, the Male Gaze - the depiction and sexualisation of a woman’s existence and how this can trigger an identity crisis. Everyone has either done or considered cutting their own hair, getting an impulse piercing, changing up their diet, etc. 

Image: Instagram @nichememesflorals

As women, our brains are ingrained with Male Gaze ideologies: the patriarchy has infiltrated our livelihoods before we’ve even left the womb. There’s no surprise when we react by using every niche element of our lives to box ourselves into society's standards. Who do I want to be today? A smoothie drinking, claw clip, pilates, matching Gymshark set girl, or do I want to watch my mascara run with my tears in the mirror, listen to Lana Del Rey, and glamorise mental health disorders? Most of the time, it has nothing to do with how we want to appear and everything to do with how we want to be perceived. 

We’re born into a system we cannot escape as if we’re trapped on a hamster wheel, neither running away nor towards any type of progress. Every time we change ourselves to empower our identities, simultaneously, we objectify ourselves. As Belinda says in Fleabag, we are born with pain built in. Maybe to cope with this, we’re trying to romanticise our pain in different forms of niche aesthetics. As I said in the beginning, we’re all a product of society at the end of the day. 

AUTHOR: Libby Griffiths
Campus Comment Sub-Editor | Journalism Student

Leave a Reply

Your email address will not be published. Required fields are marked *

ReLated Articles
magnifiercross
linkedin facebook pinterest youtube rss twitter instagram facebook-blank rss-blank linkedin-blank pinterest youtube twitter instagram
Copy link
Powered by Social Snap