Small Changes by Michael Kiwanuka review: sublime songwriting

Michael Kiwanuka, a heavenly figure of modern soul, is back with an intimate, ethereal and mature take on his classic sound. 

Phoebe Clark
10th December 2024
Image credit: Anna Hanks, Flickr
Five years since his sophomore album 'KIWANUKA', which featured upbeat and robust melodies mixing psychedelic rock and classic soul, 'Small Changes' is seemingly exactly that – Kiwanuka’s classic sound with small changes to the mood, melodies, and subject matter without losing any of his unique appeal. Since his last album, he has won the 2020 Mercury Prize and become a father twice over, undoubtedly influencing this album’s introspective themes of domesticity and marital complexities. 

Sonic elements that he introduced in his first album are used sparingly to create a minimalist and modern soul sound that is ethereal, with his sublime vocals embedded within. 'Floating Parade' is a strong opener with a dreamy melody and a deliciously pared-back drum set. It moves through a slower pace with the titular track 'Small Changes' and 'One And Only' to a rolling piano in 'Rebel Soul' with arresting vocals, giving an intimate insight into his marriage. Two-part song 'Lowdown' is the part of the album where I think it needs some sort of boost, but maybe I’m slightly nostalgic for bigger numbers like 'Hero' on his previous album. After some more beautifully resonant and distilled numbers, the album closes with 'Four Long Years' which feels introspective and nostalgic in a gloriously Radiohead kind of way, but if Bill Withers were doing a cover. 

Kiwanuka’s lyrics are uplifting and emotional like on tracks 'Follow Your Dreams' and 'Rebel Soul' which I think are his own hopes for his children but relate to a world in which everyone needs a soft touch of hope. The sentimental lyrics are juxtaposed with minor leaning chords which show Kiwanuka’s emotional depth and possibly the growing-up he has done since his last album. According to Mojo Magazine, Kiwauka’s influences were wide-ranging from Mazzy Star, Grover Washington, 70s afro rock, Sade and Beth Gibbons. These influences are subtle on the album, their impact felt more than heard as Kiwanuka retains his sonic identity. 

Overall, I am obsessed with this album. I think it is refined and pared down to a perfect degree, resonating within a world where we all go through difficult things and need a bit of hope, but still retains so many of my favorite elements of Kiwanuka’s classic sound. His vocals are glorious and are simply highlighted with sublime songwriting and floating melodies. 

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