With a 12-date UK tour preceding the album release, Will described the experience so far as fantastic. Having toured in the US with Stephen Kellogg, both opening for each other’s shows, he has felt immense support. While audiences always love hearing familiar tracks, he noted that the response to his new material has been positive and released a few songs beforehand to ease fans into the upcoming album.
The album features collaborations with musicians such as Dan Smith from Bastille, Billy Bragg, and Lenny Drake. Will and Dan have historical ties, having performed at open mics together across London. Serendipitously, the two reunited while watching Paul McCartney at Glastonbury, a moment tied together by their shared music taste. Will could musically hear Dan as a great addition to the track and was delighted when producer Tom bought Dan onto it.
Billy Bragg has long been a mentor for Will, by offering unwavering support and inviting him to perform on significant stages. Will admires him deeply. Similarly, Lenny Drake, an up-and-coming singer-songwriter, caught the attention of Will and his wife, who both became obsessed with his music. Enthusiastic about the opportunity, Lenny joined the album. Will describes this record as having a stronger band sound, making it only natural to involve more musicians.
Discussing his creative process, Will reflected on how it has evolved since his earliest albums. His mother claimed he was a songwriter at just four or five years old—a notion he doubted until he witnessed his daughter composing songs at an even younger age. This shift in perspective has been amusing for him as a father.
Will emphasised that he doesn’t overthink his music but simply creates. His songwriting approach has also shifted; whereas his earlier work often featured historical and societal commentary, he now writes more introspectively, focusing on his emotions rather than external events.
Will holds a wholesome connection to Newcastle, having played here since his earliest tours. He fondly recalled touring the UK with Beans on Toast—who, he joked, is more famous than the meal itself. After being spotted by them when he was performing in Margate, he embarked on a 20-date UK tour, marking his first real experience on the road. Returning to these places always brings a sense of familiarity and it’s gratifying to see audiences still showing up after all these years. Tonight’s performance was completely sold out—a true joy.
Varley is a passionate supporter of small independent venues; Will recognises their importance and acknowledges the struggles they currently face. Performing in such legendary spaces remains a privilege, and he hopes they continue to thrive. His Newcastle gig was a testament to the enduring power of live music and its ability to bring people together, unlike any machine! His advice to musicians? Focus on what you’re trying to create rather than worrying about how it will be received.
Will Varley's seventh studio album, Machines Will Never Learn to Make Mistakes Like Me, is released on 30 May.